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Tuesday, 4 April 2017

Waec 2017 Literature-In-English (Prose & Obj) Answers – May/June Expo

Posted by Novatric

5.

Mrs. Dalton’s literal blindness serves as a metaphor for white people's social and cultural blindness. Just as she couldn’t see that Bigger was in the room with her daughter, or that Mary was actually dead, the white characters in the novel are blind to the social realities around them.

Mrs. Dalton is a wealthy blind woman who takes an interest (in a pandering, hobbyist sort of way) in the National Association for the Advancement of Colored People (NAACP) and encourages her husband to be generous with their wealth and use it to change the lives of blacks in Chicago. Mrs. Dalton’s physical blindness proves to be an apt metaphor for her social and spiritual blindness. Though she’s a religious and kindly woman, she is completely blind to the fact that much of the family’s ongoing wealth is gained through exploitation of the same black people she’s trying to help.

In addition, much of the Daltons’ generosity, as Boris Max points out, does very little to actually help anybody. (The donation of money for ping-pong tables at a Boys Club is one such example. Who even likes ping-pong?) Mrs. Dalton represents a particular type of person: a liberal, progressive white woman who fails to recognize the ways she exploits the very people she claims to help.



6. The use of irony in the text is called situational irony. Bigger has always regarded every white person as his mortal enemy and as fake will have it,a white friend is brought his way. To him, Every  white person is a symbol of oppression. On the contrary. Many Dalton is friend to bigger but bigger is ready to exhibit his disdain for white folks as the same feelings is felt towards Jan too. On the other hand, many and jam (the two I white lovers ) shows him love and friendliness which makes him ashamed of himself. Both lovers are closing so at the rock of disapproval from their own folks. The two parties are actually operating in total ignorance of the other hand situation , a condition brought about by years of unhealthy extreme opinion of the other .


Typing....
[4/5, 9:37 AM] ‪+234 817 937 4805‬: 1. Comment on the attitude of the people of kufi towards superstition ? "Lonely days"


Answer:


*Superstitions: *The novel explains how superstitious beliefs impact on
people’s
behaviour. For instance, wives were accused of killing their husbands
because of
the belief that someone had to be responsible for every death. They also
suspected feathered creatures like birds as they were usually linked to
witchcraft.
===================





*2. How is Ajumobi portrays in the novel "Native Son"?*


Through Yaremi’s reminiscences, the author introduces his readers to
Ajumobi.
Ajumobi was a brave and powerful hunter who enjoyed boasting of his prowess
as a
successful hunter. In his lifetime, he was firm and had absolute control of
his household.
Ajumobi was a happy and lively man. Like most men in Kufi, he liked
drinking palmwine
in the company of friends. He was quite ambitious. Prior to his death, he
planned to
renovate his house and even take a second wife.

*Or*

*Ajumobi*
Ajumobi is Yaremi’s late husband. He was a brave hunter who loved to boast
of his
hunting prowess. He died after a brief illness. He was an ambitious man.
For instance,
prior to his death he planned to renovate his house and take a second wife.
He was short
tempered and often reacted to Yaremi’s nagging. Like other men in Kufi, he
beat Yaremi
on few occasions.

Ajumobi was a brave and powerful hunter who enjoyed boasting
of his prowess as a successful hunter.
In his lifetime, he was firm and had absolute control of his household.
Ajumobi was a happy and lively man.
Like most men in Kufi, he liked
drinking palmwine in the company of
friends. He was quite ambitious. Prior
to his death, he planned to renovate his house and even take a second
wife. Yaremi loved her husband
greatly and in spite of their many
squabbles in his lifetime, she missed
his affection and companionship.





5)
i)Blindness
In the ancient Greek drama, Oedipus the
tragic hero is convinced he can overcome the Oracle's predication that he will unwittingly kill his father and marry his mother. He blinds himself in a fit of rage after the prophecy is fulfilled.
ii)Hubris
Is the word given to the excessive pride exhibited by the tragic hero in
ancient Greek drama, which brings about his downfall. It is hubris that ultimately causes Bigger's death. Filled with excitement after committing the
seemingly ultimate crime-killing and decapitating a white woman-Bigger puts aside his doubts and his instinctual desire to run and save himself and repeatedly returns to the scene of the crime, the Dalton house.

6. The use of irony in the text is called situational irony. Bigger has always regarded every white person as his mortal enemy and as fake will have it,a white friend is brought his way. To him, Every  white person is a symbol of oppression. On the contrary. Many Dalton is friend to bigger but bigger is ready to exhibit his disdain for white folks as the same feelings is felt towards Jan too. On the other hand, many and jam (the two I white lovers ) shows him love and friendliness which makes him ashamed of himself. Both lovers are closing so at the rock of disapproval from their own folks. The two parties are actually operating in total ignorance of the other hand situation , a condition brought about by years of unhealthy extreme opinion of the other .
 It is ironical that jam,whom bigger tried blame his murder of Mary on, would later take step to free the  some bigger of culpability in the crime. He is the one who brings max to Bigger to act as his counsel during his arraignment.
 Another ironic situation is noticed with the respect of bigger is freedom. While restricted to a cell in prison , he feels free where as outside he feel.

 4)
 In Kufi, wives were accused of killing their husbands because of the belief that someone had to be responsible for every death. They also suspected feathered creatures like birds as they were usually linked to witchcraft


Lonely days 
Q3.   How is Ajumobi portary in the novel?
Q4.  Commence on the attitude of the people of kufi towards superstition
NATIVE SON
Q5.examine mrs Dalton's blindness as a metaphor for race relation in the novel
Q6.Comment the use of irony in the novel.
[4/5, 8:30 AM] ‪+234 813 960 5078‬: QUESTIONS TO NOTE FOR AMMA DARKO'S NOVEL, "FACELESS"

1.Discuss the role of women in the novel.
2 Assess the significance of MUTE in the novel.
3. Discuss the role of Kpakpo in the development of the plot.
4. What is the importance of Sodom and Gomorrah in the lives of the street children?
5. What is the significance of the Adade family in the novel?
6. The issue of loveless homes is at the root of the many problems in the novel. Comment.
7. Why would you consider Amma Darko's "Faceless" a satire?
[4/5, 8:30 AM] ‪+234 813 960 5078‬: QUESTIONS TO NOTE FOR AMMA DARKO'S NOVEL, "FACELESS"

1.Discuss the role of women in the novel.
2 Assess the significance of MUTE in the novel.
3. Discuss the role of Kpakpo in the development of the plot.
4. What is the importance of Sodom and Gomorrah in the lives of the street children?
5. What is the significance of the Adade family in the novel?
6. The issue of loveless homes is at the root of the many problems in the novel. Comment.
7. Why would you consider Amma Darko's "Faceless" a satire?
[4/5, 8:30 AM] ‪+234 813 960 5078‬: Lonely days 
Q3.   How is Ajumobi portary in the novel?
Q4.  Commence on the attitude of the people of kufi towards superstition
NATIVE SON
Q5.examine mrs Dalton's blindness as a metaphor for race relation in the novel
Q6.Comment the use of irony in the novel.
[4/5, 8:30 AM] ‪+234 813 960 5078‬: Question: How is Ajumobi portrayed in the novel?
Answer:
Ajumobi is one of the major characters in the novel. He
is presented in the novel as the husband of Yaremi and
the father of wura, segi and alani. He is the reason for
the lonely days yaremi and her series of maltreatment
from the men class upon his death. Before the exit of
ajumobi, he was a famous hunter in the land of kufi
who has made success in all his hunting expeditions. It
is typical of ajumobi to boast before his wife that " i
rule the animal world" out of his dexterity in hunting
especially in thick Virgin forest, ajumobi has made
different kinds of Bush meat available in his family.
Ajumobi has always been in absolute control of his
household. He loves and cares for his family.
Morally wise, ajumobi seems to be firm and rigid and at
the same time, "he could be very pleasant too" being
so dutiful, ajumobi takes it upon himself to ensure
adequate shelter for his family especially during the
rainy days. He usually goes into the bush in order to
cut firewood to warm his house. In his life time,
ajumobi had made promises which he did not live to
fulfill, even to marry a new wife who he compares with
gold. On a couple of occasions, Ajumobi has shown
habit of irresponsibility by beating his wife, which
yaremi hopes to revenge in the spirit world "where
women could give back unto them what they receive
from men on earth" notwithstanding, ajumobi is very
supportive to his family as he offers them succor and
protection especially from external influence.
Ajumobi, when he was alive was a wise and
perspective man. He usually gave yaremi pieces of
advice, "on two hundred issues" ajumobi was quite
unlike many kuffi men. Yaremi proclaims that while
other husbands were busy imposing themselves on
their wives and molesting them, he was always busy
exhibiting his good nature, and spoiling yaremi with
love and devotion.
Ajumobi, in his lifetime was average rich. He owned a
coca farm, banana trees, kolanut trees and palm trees.
He was a loving husband, he usually brought home "all
types of Bush meat whet yaremi's appetite : antelope, impala and Buffalo meat". Ajumobi
showered his affection and love on yaremi. He often
sat with her and puzzled her with hunters incantations
and recitations.
Ajumobi stammered when he was angry. On the day
that yaremi tore his dress, he stammered angrily as he
told her that he would whip her thoroughly. At the end,
Ajumobi dies of typhoid fever which is instrumental to
the predicaments of yaremi.
[4/5, 8:30 AM] ‪+234 813 960 5078‬: CASTLE OF OTRANTO

1.Discuss the theme of death in othello

Death is a part of every Shakespearean tragedy, and
''Othello'' is no exception. 

Let the Bodies Hit the Floor The song

 ''Let the Bodies Hit the Floor'' by Drowning Pool
 would be a fitting soundtrack for the last act of 
Shakespeare's Othello, or really for any of Shakespeare's
tragedies--they all end with a pile of dead bodies. Instead of
 hitting the floor, though, most of the bodies in Othello end
 up on a bed, and all are the result of the actions of one man: Iago. Iago is Othello's ensign. Everyone thinks him an honest and helpful friend, but really he's a nasty spider
weaving a web of death and destruction. Regarding the bed
full of dead bodies, Lodovico says to Iago at the end, ''look
on the tragic loading of this bed: this is thy work.''
Shakespeare uses the senseless deaths in Othello to drive
home its tragic elements. 

Desdemona Dies 

Desdemona's death is tragic not just because she dies, but
because it is her husband, Othello, who kills her. He loves her
dearly, but he's been an idiot and has allowed Iago to
convince him not only that Desdemona has cheated on him,
but that killing her is the only sensible thing to do now. ''I
will kill thee and love thee after,'' he decides. The dramatic irony (which is when the audience knows what is going on but the characters don't) is pretty thick at this point. We are
all shouting in our heads at Othello, ''Don't do it! You've
been fooled!'' But he goes and does it anyway, smothering
Desdemona with a pillow in her bed. Reviving herself (as dead people sometimes do in
Shakespeare) Desdemona finds strength to say to Emilia, ''A
guiltless death I die.'' Guiltless she is, and tragic, too.
Desdemona is innocence personified, and by killing her
character, Shakespeare makes a cynical commentary about
how innocence cannot survive in the fallen world. 

Emilia Dies

 Emilia's death is tragic on a different level. She is not all
pure innocence (she may or may not have slept with Othello
in order to get her husband a promotion) but she is strong
and she speaks out for what is right in a world where
women were not allowed to be or do those things. When
she discovers it was Desdemona's handkerchief which served as the primary evidence in convincing Othello of his wife's
alleged affair, she knows her husband Iago is at the bottom
of it. ''Be wise and get you home,'' Iago warns her, but she
answers defiantly, ''I will not.'' Emilia speaks the truth,
though it costs her life. She tells all assembled that Iago
begged her to steal Desdemona's handkerchief for him, and
she reveals that he has intentionally framed Desdemona and
manipulated Othello. For this, Iago stabs her with his sword, killing her. ''Lay me by my mistress' side,'' Emilia asks with
her last breath, and thus she becomes another body to lie in
the bed's ''tragic loading.''

Roderigo Dies

 As the play wears on, one may be torn between being
irritated by Roderigo and feeling sorry for him. Iago has
been manipulating him from the very start of the play.
Roderigo is in love with Desdemona. Iago has been giving
Roderigo 'advice' about how to woo her despite her
marriage to Othello. Suspiciously, much of this advice requires Roderigo to give Iago large sums of money and
jewels. We watch as Iago perpetually makes a fool of
Roderigo, finally inducing him to face Cassio in a battle that
becomes his undoing. ''Now, whether he kill Cassio,'' Iago says slyly, ''Or Cassio him,
or each do kill the other, every way makes my gain.'' Iago
doesn't care who kills whom, because either or both would
be good for him! When each is wounded but neither killed,
however, that isn't good for him. So Iago murders Roderigo
and blames Cassio for it. Poor Roderigo, used by Iago in life and finally betrayed by him in death. Roderigo has the
proverbial last laugh, however, as letters found in his
pockets after his death serve as further proof of Iago's
[4/5, 8:30 AM] ‪+234 813 960 5078‬: Question: Comment on the use of Irony In the Novel

Answer: 
Irony occurs when situations go against the expectations and opinions of people. One form of irony is verbal irony in which the speaker says the opposite of what he means. But the irony used in Richard Wright's 'Native Son' is a situational irony. The following are ironical situations:
1. It is ironical that Bigger,  a nobody from the slums; a black man kills the daughter of one of the richest white men in the area. This act which is the hallmark of the novel was beyond the expectation of Mr Dalton.
2. It is ironical that the killing of Mary makes Bigger rather courageous than remorseful. Bigger Thomas did not intentionally kill Mary Dalton. He only wanted the girl to remain quiet until her mother leaves the room. Then the unexpected happens and we expected Bigger to become nervous and probably shout in surprise. But that was not the issue. Bigger instead sees himself as suddenly extraordinary.
3. Another irony is recorded during the trial of Bigger. Bigger framed his crime around Jane Erlone but ironically it was the same Jan who defended Bigger and Even went on to employ the services of Boris Max,one of the best lawyers in town to defend Bigger.
4. It is also ironical that Mr Dalton who charges high rents from the blacks donates a token to the welfare of the blacks in the name of philantropy. This hypocrisy is ironical because people see Dalton as a cheerful giver while he is actually a cheat.
[4/5, 8:30 AM] ‪+234 813 960 5078‬: Question: How is Ajumobi portrayed in the novel?
Answer:
Ajumobi is one of the major characters in the novel. He
is presented in the novel as the husband of Yaremi and
the father of wura, segi and alani. He is the reason for
the lonely days yaremi and her series of maltreatment
from the men class upon his death. Before the exit of
ajumobi, he was a famous hunter in the land of kufi
who has made success in all his hunting expeditions. It
is typical of ajumobi to boast before his wife that " i
rule the animal world" out of his dexterity in hunting
especially in thick Virgin forest, ajumobi has made
different kinds of Bush meat available in his family.
Ajumobi has always been in absolute control of his
household. He loves and cares for his family.
Morally wise, ajumobi seems to be firm and rigid and at
the same time, "he could be very pleasant too" being
so dutiful, ajumobi takes it upon himself to ensure
adequate shelter for his family especially during the
rainy days. He usually goes into the bush in order to
cut firewood to warm his house. In his life time,
ajumobi had made promises which he did not live to
fulfill, even to marry a new wife who he compares with
gold. On a couple of occasions, Ajumobi has shown
habit of irresponsibility by beating his wife, which
yaremi hopes to revenge in the spirit world "where
women could give back unto them what they receive
from men on earth" notwithstanding, ajumobi is very
supportive to his family as he offers them succor and
protection especially from external influence.
Ajumobi, when he was alive was a wise and
perspective man. He usually gave yaremi pieces of
advice, "on two hundred issues" ajumobi was quite
unlike many kuffi men. Yaremi proclaims that while
other husbands were busy imposing themselves on
their wives and molesting them, he was always busy
exhibiting his good nature, and spoiling yaremi with
love and devotion.
Ajumobi, in his lifetime was average rich. He owned a
coca farm, banana trees, kolanut trees and palm trees.
He was a loving husband, he usually brought home "all
types of Bush meat whet yaremi's appetite : antelope, impala and Buffalo meat". Ajumobi
showered his affection and love on yaremi. He often
sat with her and puzzled her with hunters incantations
and recitations.
Ajumobi stammered when he was angry. On the day
that yaremi tore his dress, he stammered angrily as he
told her that he would whip her thoroughly. At the end,
Ajumobi dies of typhoid fever which is instrumental to
the predicaments of yaremi.
[4/5, 8:40 AM] ‪+234 813 960 5078‬: Lonely days 
Q3.   How is Ajumobi portary in the novel?
Q4.  Commence on the attitude of the people of kufi towards superstition
NATIVE SON
Q5.examine mrs Dalton's blindness as a metaphor for race relation in the novel
Q6.Comment the use of irony in the novel.
[4/5, 8:40 AM] ‪+234 813 960 5078‬: QUESTIONS TO NOTE FOR AMMA DARKO'S NOVEL, "FACELESS"

1.Discuss the role of women in the novel.
2 Assess the significance of MUTE in the novel.
3. Discuss the role of Kpakpo in the development of the plot.
4. What is the importance of Sodom and Gomorrah in the lives of the street children?
5. What is the significance of the Adade family in the novel?
6. The issue of loveless homes is at the root of the many problems in the novel. Comment.
7. Why would you consider Amma Darko's "Faceless" a satire?
[4/5, 8:43 AM] ‪+234 813 960 5078‬: Question: Comment on the use of Irony In the Novel

Answer: 
Irony occurs when situations go against the expectations and opinions of people. One form of irony is verbal irony in which the speaker says the opposite of what he means. But the irony used in Richard Wright's 'Native Son' is a situational irony. The following are ironical situations:
1. It is ironical that Bigger,  a nobody from the slums; a black man kills the daughter of one of the richest white men in the area. This act which is the hallmark of the novel was beyond the expectation of Mr Dalton.
2. It is ironical that the killing of Mary makes Bigger rather courageous than remorseful. Bigger Thomas did not intentionally kill Mary Dalton. He only wanted the girl to remain quiet until her mother leaves the room. Then the unexpected happens and we expected Bigger to become nervous and probably shout in surprise. But that was not the issue. Bigger instead sees himself as suddenly extraordinary.
3. Another irony is recorded during the trial of Bigger. Bigger framed his crime around Jane Erlone but ironically it was the same Jan who defended Bigger and Even went on to employ the services of Boris Max,one of the best lawyers in town to defend Bigger.
4. It is also ironical that Mr Dalton who charges high rents from the blacks donates a token to the welfare of the blacks in the name of philantropy. This hypocrisy is ironical because people see Dalton as a cheerful giver while he is actually a cheat.
[4/5, 8:44 AM] ‪+234 903 913 6724‬: VERIFIED ENG LIT. OBJ
1-10 CDCBDBDCAC
11-20 CDBCBBDBCC
21-30 AABBDDACDB
31-40.AABCDCCDAD
41-50 BBAACBBBCD
1
Nii Kpakpo and Maa Tsuru are lovers in the novel
(Faceless). Maa Tsuru is the mother of Fofo, Baby T
and some other children. She does not gave a
stable relationship as she comes across men who
impregnates her and dumps her afterwards.
.
Being a gullible woman, Maa Tsuru believes Nii
Kwakpo without queshe pinch. She dropped a hint
to kpakpo but either he did not get it or refused to
get it. Kwakpo succeeds in deceiving Maa Tsuru to
part with her daughter, Baby T, only for Maa Tsuru
to regret it later when Baby T is being gruesomely
murdered.
CLICK HERE FOR THE QUESTIONS & ANSWERS.
No. 4
The novel Lonely Days has its backdrop in
pastoral setting. It reflects the predicament of
widows in African society ( Nigeria to be
specific). The family, or the practice by
which a man may be required to marry his
brother's widow). In Nigeria's rustic society, even
to some upholders of this traditi he plot structure
of the novel.
Lonely Days is a novel used by Bayo Adebowale
to question the notion of cultural imposition of
levirate. The denial of th e protagonist, Yaremi to
pick a cap, by invariably living a solitary life adds
credence to this cultural practice (levirate) as
obsolete (old fashioned).
NO.5
Bigger Thomas as America’s Native Son
In the novel the Native Son, the author Richard
Wright explores racism and oppression in
American society. Wright skillfully merges his
narrative voice into Bigger Thomas so that the
reader can also feel how the pressure and
racism affects the feelings, thoughts, self-image,
and life of a N
No.6
Max Boris: Max Boris is an idealistic
lawyer with communist sympathies who
defends the protagonist Bigger Thomas
but comes under attack himself because
he is a communist and a Jew. More than
any other character, he understands
Bigger and forms a close relationship
with him.
[4/5, 8:46 AM] ‪+234 813 960 5078‬: *You are adviced to go with your phone incase of any changes that may apply*

VERIFIED ENG LIT. OBJ
1-10 CDCBDBDCAC
11-20 CDBCBBDBCC
21-30 AABBDDACDB
31-40.AABCDCCDAD
41-50 BBAACBBBCD
1
Nii Kpakpo and Maa Tsuru are lovers in the novel
(Faceless). Maa Tsuru is the mother of Fofo, Baby T
and some other children. She does not gave a
stable relationship as she comes across men who
impregnates her and dumps her afterwards.
.
Being a gullible woman, Maa Tsuru believes Nii
Kwakpo without queshe pinch. She dropped a hint
to kpakpo but either he did not get it or refused to
get it. Kwakpo succeeds in deceiving Maa Tsuru to
part with her daughter, Baby T, only for Maa Tsuru
to regret it later when Baby T is being gruesomely
murdered.
CLICK HERE FOR THE QUESTIONS & ANSWERS.
No. 4
The novel Lonely Days has its backdrop in
pastoral setting. It reflects the predicament of
widows in African society ( Nigeria to be
specific). The family, or the practice by
which a man may be required to marry his
brother's widow). In Nigeria's rustic society, even
to some upholders of this traditi he plot structure
of the novel.
Lonely Days is a novel used by Bayo Adebowale
to question the notion of cultural imposition of
levirate. The denial of th e protagonist, Yaremi to
pick a cap, by invariably living a solitary life adds
credence to this cultural practice (levirate) as
obsolete (old fashioned).
NO.5
Bigger Thomas as America’s Native Son
In the novel the Native Son, the author Richard
Wright explores racism and oppression in
American society. Wright skillfully merges his
narrative voice into Bigger Thomas so that the
reader can also feel how the pressure and
racism affects the feelings, thoughts, self-image,
and life of a N
No.6
Max Boris: Max Boris is an idealistic
lawyer with communist sympathies who
defends the protagonist Bigger Thomas
but comes under attack himself because
he is a communist and a Jew. More than
any other character, he understands
Bigger and forms a close relationship
with him.

LITERATURE IN ENGLISH 2017


No 3)
i) THEME OF LONELINESS AND WIDOWHOOD
This is the most dominant theme of the novel in which Bayo uses Yaremi and other widows to paint the pictures of loneliness and adverse conditions associated with widowhood.The sudden exit of Ajumobi leaves Yaremi in outer loneliness.As a widow, Yaremi is faced with both domestic and societal challenges.She talks and walks alone unlike when her bosom companion is alive who always cherishes and plays with Yaremi.With the marriage of Yaremi's two daughters and long stay of her only son in the city of Ibadan, her state of loneliness is worsen.She has neither children nor husband to share her feelings with both in the day or in the night.
The presence of Woye in Yaremi's house partially breaks her moments of solitude, yet she is psychologically lonely in that most of her ideas die inside her without second thought from anyone.Apart from Yaremi, Dedewe, Fayoyin and Radeke share their unique experiences of widowhood respectively.As widows,they are dehumarized above the permission of good conscience.Also, they are lured and forced into second marriage as legalized by the widows' traditional injunction of Kufi Land.When Yaremi defies the cap-taking ritual; she is totally rejected by everyone;both men and women avoid her "like a leper".Judging from what has befallen Yaremi, she has come to "a most painful continuation of her realization that it is going to be a lonely days".
ii) THEME OF TRADITIONALISM AND
SPIRUTUALISM
The theory of traditionalism is a belief that customs and traditions are more important for a society than modern ideas while spiritualism emphasizes a kind of belief that people who have died can send message to living people, usually through a medium.These two beliefs are well prominent in the novel.Yaremi being a women of neccessity is tied with these ideologies, thereby, she is being forced by tradition to go for a second marriage without options of choice and self determination.By the reason of traditional bottleneck,Lanwa is to inherit Yaremi as a second wife reasoning from the fact that he is Ajumobi's half brother.
More so, the novel unveils the belief of spiritualism in the relationship of Ajumobi and Yaremi after his death.There are evidences in the novel where Ajumobi is conversing with Yaremi in dreams.The appearance of Ajumobi in many places in the novel shows the faith of the village in spiritualism.In addition, Kufi people are habituated to celebrating their ancestral gods and reverencing them.Thus, however, typifies spiritualism.
iii) THEME OF VICTIMIZATION AND INHUMANITY
It is not an over statement to say that widows in Kufi village are inside the hot pot of victimization.Consequent upon the death of their husbands,their simple lives are torn apart.They live under the mercy of their husbands' relatives and inhuman tradition that is bent on molesting women, especially the widows.None of the widow in the novel goes scot-free from their male-superiors.Dedewi for instance gushes out blood amidst over-heated torture.Yaremi herself is emblematic of human abuse and supression.Her resistance to second marriage is the reason behind her excommunication and abuse of her fundamental human rights.She is not only ostracized but her belongings are confiscated by the village.It is expected that everybody must frown at inhumanity and victimization of the helpless ones around rather we must embrace one another in love and also defend the weaklings in our midst.
3)
i)Widowhood or The plight of widows
ii)Loneliness
iii) Humiliation
i)Widowhood or The plight of widows:
The theme of widowhood is the novel’s
central theme. The widows in Lonely Days
were subjected to pain and humiliation.
The widowhood experiences of Yaremi,
Dedewe, Fayoyin and Radeke are a
miscrosm of the plight of widows in the larger Nigerian society and in the African
continent as a whole. The author
condemns widow inheritance, forced
remarriage and other cultural practices
that subject widows to pain and
humiliation.
ii)Loneliness: Another important theme that runs through the novel is the theme of
loneliness. Yaremi was very lonely and
had to do most things by herself. For
instance, she had to appeal to Uncle Deyo,
Ajumobi’s friend to assist in mending her leaking roof and rebuilding the walls of
her house.
iii) Humiliation: Yaremi suffered humiliation from extended relations who accused her of killing her husband. Dedewe, Fayoyin and Radeke also suffered humiliation. For instance, Dedewe was made to sit in a dark room by her husband’s corpse while Fayoyin’s hair was badly shaved. Hardwork or Diligence: The theme of diligence is expressed by Yaremi’s
industrious character. The author uses
several anecdotes to encourage
hardwork.
==================================
6)
Matilda, the beautiful and good daughter
of Manfred, is intrigued by the portrait of
the young Alfonso the Good that hangs in
her castle. It is clear that she longs for
someone like Alfonso in her life. She
begins to get to know Theodore when he is imprisoned and realizes that he is a
man of quality. Matilda has never been close to her father and is trying to figure out why he is so intent on bringing Isabella back to the castle. When all of the men leave the castle to find Isabella, Matilda frees Theodore and insists that he leaves the castle to save his life. She has noticed that Theodore resembles the picture of the former prince, Alfonso, and she falls in love with him.
Before Manfred can find Isabella and
force her to marry him, a huge entourage
of knights and courtiers arrive in search
of Isabella. One of the knights,
unbeknownst to Manfred, is Frederic,
Isabella's father. When Theodore escapes the castle, he goes to a wood, and finds a
cave. He accidentally meets up with
Isabella and vows to protect her. In the
meantime, all of Manfred's men and
Vincenza, as well, are looking for
Isabella. Vincenza finds the cave, and Theodore fights with him, nearly mortally
wounding the man, without realizing that
Vincenza is Isabella's father.
==================================
No 8)
MARY DALTON
Mary is a daughter of Mr. And Mrs. Dalton.She is born in a very wealthy family.Her death in the novel which Bigger is responsible for, marks the turning point of Native Son.Mary's character defines her as a progressive personality as she defies social boundaries and even her parents by dating a communist(Jan).She is committed to improving the lives of the blacks both politically and personally in America.Mary is characterized by good intentions, but she is too young either to commit fully to her chosen course or to have a complex understanding of those people she wants to render help.
Another good character of Mary Dalton in the novel is her sense of hospitality; she tries to treat Bigger as a human being, but little does she know that Bigger might be surprised and confused by such unpreccedented treatment from the wealthy white daughter who happens to be his employer.As an anti-racist, Mary thinks that Bigger will embrace her friendship because to her, Bigger simply represents a political course she is fighting to achieve, that is bringing racism to an end in the blacks dominated Chicago.Through her friendly disposition, Mary portrays a lifestyle filled with humility, tolerance and high rate of submissiveness which is in sharp contrast with her father's racial sentiments. She swallows her personal qualities,thoughts and background only to befriend Bigger because he is black, which is a social taboo to other whites racial champions.
In addition, Mary treats and cares for Bigger with thoughtless racism unlike the overt hypocrisy of her parents.Despite all her good thoughts and feelings for Bigger, she is tragically murdered by the same person she cares for(Bigger).To sum it up, Mary in her simple life, represents a new breed of America whose mission is terminated by a racial victim
[4/5, 8:46 AM] ‪+234 813 960 5078‬: Characters1
Fofo
Fofo is the fourth child of Maa Tsuru. She is
fourteen years old and lives on the street.
She is a dreamer and would often drift
away in her own world of fantasy. She is
quite brave and intelligent. She tactfully
resists Poison ’s rape attempt and disguises
as boy to protect herself from further
assault by Poison and his gang. Through her
character, the reader gets more insight into
the circumstances surrounding Baby T’s
death.
Baby T
Faceless revolves mostly around Baby T and
the circumstances leading to her death. She
was Maa Tsuru’s third child and Fofo’s
elder sister. She got defiled early by Kpakpo
and thereafter by Onko whom she trusted.
She was sold into prostitution through
Kpakpo’s gimmicks. A victim of parental
neglect like her sister Fofo, Baby T’s badly
beaten and mutilated body was found
behind a kiosk in Agbogbloshie market .
Maa Tsuru
Maa Tsuru is the mother of Fofo and Baby
T. She was born under very grave
circumstances and like everyone around her,
she believed that she suffered from a curse
stemming from the circumstances of her
birth. Her two lovers (Kwei and Kpakpo)
were absent fathers. They walked out on her
leaving her to take care of the children, a
responsibility she performed very poorly.
Ravaged by poverty and being a victim of
neglect herself, she craved for love but got
entangled with irresponsible men.
Poison
Poison is a street lord and leader of a
prostitution ring to which Baby T was sold.
Feared by all, Poison assaulted Baby T
before her death and almost raped Fofo. He
also tried to interfere with MUTE’s
investigations as he did not want Baby T’s
true identity to be revealed. A victim of
abuse and neglect, Poison enjoyed inflicting
pain on others. The author uses his
character to show that with male children,
streetism takes a different twist as it makes
them almost irredeemable.
Kabria
The wife of Adade and mother of three
energetic children, Kabria worked with
MUTE, a non-governmental agency and
lived in a decent neighbourhood in Accra
which contrasted sharply to the situation in
Sodom and Gomorrah . With a problematic
car called Creamy, she tried to combine
career with her responsibilities as wife and
mother. She was instrumental to Fofo’s
rehabilitation and contributed in no small
measure to unraveling the mystery
surrounding Baby T’s death.
Odarley
Odarley was Fofo’s friend and confidant.
Like Fofo, she lived on the street having
been neglected and sent out of the house by
her mother.
Onko
Onko lived in the same compound as Maa
Tsuru. In a compound that reeked of
poverty, Onko was portrayed as a man of
means who gave generously. He took
advantage of Baby T and defiled her. He
bribed Maa Tsuru who kept quiet over the
issue. His business suffered a downturn
thereafter. He committed suicide after Baby
T’s death. The author uses his character to
buttress the fact that children are mostly
defiled by adults who are close to them.
Kpakpo
Kpakpo was Maa Tsuru’s dubious, jobless
and unscrupulous lover. He deceived Maa
Tsuru and masterminded Baby T’s sale into
prostitution. He also aided Onko’s visit to
Baby T leading to the latter’s death.
By Dayo Okubule… http://
www.bookstomydoor.com/faceless-by-
amma-darko/
Characters/Characterization
Characters 2
This is the list of characters (dramatis
personae) in Faceless which could be divided
into major and minor characters.
MAJOR CHARACTERS
* Fofo
* Kabria
* Maa Tsuru
* Baby T
* Dina
* Kwei
* Kpakpo
* Adade
MINOR CHARACTERS
* Macho
* Poison
* Maami Broni
* Mama Abidjan
* Sylv Po
* Aggie
* Vickie
* Odarley
* Obea
* Essie
* Ottu
* Ms. Kamame
Characterization 1
1. Fofo
She is the 14 year old daughter of Maa
Tsuru and sister to the deceased Baby T. she
stopped schooling at a very tender age due
to lack of finance. She could be termed as
the heroine of the novel. Fofo is very
outspoken, kind, caring and hardworking.
Despite the fact that she is compelled to go
onto the streets by the mere presence of
Kpakpo, she perseveres by finding a menial
job to do. Her life at a point in time is
paralyzed by the fear of the thick-set
leader Macho and Poison the street lord. It
is through the courage of Fofo that the
mystery behind baby t’s death is unleashed.
After she experiences the harsh ups and
downs of a street child , she undergoes
rehabilitation.
2. Kabria
Kabria is a married woman who has to
shoulder her responsibility of caring for her
home together with being competent at her
workplace. She faces the difficulties of
managing her career with her first
responsibility of being a mother and Adade.
She has three children namely : Obea ,Essie
And Ottu. Kabria is very loving, patient and
sympathetic. Saves Fofo from being lynched
at Agbogbloshie market when she tries
picking her. She works at MUTE organization
and in collaboration with Harvest Fm, they
go on an adventure to unravel the mystery
surrounding sssBaby T’s death. She treats
everyone as part of her family even
‘creamy’ her battered old VW beetle car.
3. Maa Tsuru
Mother
of Fofo and siblings. It is believed that she
is cursed by her mother when she was being
given birth to. She herself is a product of
the streets and cares less if her offsprings
become a nuisance to society. Maa Tsuru is a
“free for all”, easily deceived, and makes
her children go onto the devouring jaws of
the streets. She sells Baby T indirectly into
prostitution. Very quick-tempered. However,
Maa Tsuru is remorseful and caring.
4. Baby T
Daughter of Maa Tsuru,16 years of age. She
is very kind and lovely. A great teacher she
is as Fofo learns to pick-pocket from her.
She is an innocent girl who is raped by her
uncle Onko and her step-father Kpakpo. She
is killed as a result of the connivance
between Onko, Poison and Maami Broni.
[4/5, 9:03 AM] ‪+234 813 960 5078‬: 5 )
i) Blindness
In the ancient Greek drama , Oedipus the
tragic hero is convinced he can overcome the Oracle' s predication that he will unwittingly kill his father and marry his mother. He blinds himself in a fit of rage after the prophecy is fulfilled.
ii) Hubris
Is the word given to the excessive pride exhibited by the tragic hero in
ancient Greek drama , which brings about his downfall . It is hubris that ultimately causes Bigger' s death. Filled with excitement after committing the
seemingly ultimate crime-killing and decapitating a white woman -Bigger puts aside his doubts and his instinctual desire to run and save himself and repeatedly returns to the scene of the crime, the Dalton house.


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